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Published by Henning Oppermann, Basel Seller Rating:. About this Item: Henning Oppermann, Basel, Seller Inventory More information about this seller Contact this seller Published by Basel, Oppermann, From: Altstadt Antiquariat M.
Weiers Freiburg, Germany. About this Item: Basel, Oppermann, Eins von num. Schuber etw. Seller Inventory [L]. Published by Basel Henning Oppermann Verlag. From: Daniel Thierstein Bern, Switzerland.
Eines von numerierten Exemplaren. Seller Inventory AB. Published by Oppermann, Basel From: Antiquariat Kastanienhof Struppen, Germany. About this Item: Oppermann, Basel, Condition: Gut. Seller Inventory N From: Antiquariat Dorner Reinheim, Germany. Alfred Schmid. Basel, Henning Oppermann VIII, 96 S. Sehr gutes Exemplar. Published by G. Haas, J. Thurneisen, Basel About this Item: G.
Thurneisen, Basel, Condition: Good. No Jacket. Book in marbled boards and black leather spine with title on top and date on bottom has moderate rubbing to covers, spine top and bottom, tight and unmarked. Front cover separating at ffep mostly likely from rebinding ; as a consequence, ffep torn at hinge; hinge still strong.
Page 1. Handsome engraved frontispiece. Photos available, of course. Basel, Oppermann, Gr. Sprache: de. From: Antiquariaat A.
Amsterdam, Netherlands. About this Item: Basel, Ills by Hans Holbein d. In slipcase. Haas, ex officina J. Thurneisen, , From: Harteveld Rare Books Ltd. Fribourg, Switzerland. Gut illustrierte Neuausgabe. Please notify before visiting to see a book. Prices are excl. Published by Henning Oppermann, Basle From: Second Life Books, Inc.
Lanesborough, MA, U. About this Item: Henning Oppermann, Basle, One of numbered copies. Two volumes. Large 8vo, pp. List of Holbein's drawings and of the more important notes by Myconius. Facsimile printed in black, sepia, red and blue. Paper over boards, with paper spine labels. Published by Basel: Henning Oppermann From: Antiquariat Kretzer Kirchhain, Germany.
About this Item: Basel: Henning Oppermann, Condition: Sehr gut. Sprache: Deutsch Gewicht in Gramm: Gr. Published by J. Hass About this Item: J. Hass, Sprache: Latein, Mit zahlr. Einband im Kantenbereich mit Bereibungen; Besitzvermerk v. About this Item: Basileae, G. Haas, Thurneisen, Denuo typis mandavit Guil. In 8vo, cm. Esemplare ad ampi margini e molto fresco. Solida legatura ottocentesca in mzza pelle con grandi punte, belle le sguardie in carta pavone. Titolo dorato al dorso con nervetti.
Ottima la conservazione. Codice inv. Published by Basel Henning Oppermann About this Item: Basel Henning Oppermann, Herstellung und Druck besorgte das Art. Gutes Exemplar. Published by Basle, Henning Oppermann, , About this Item: Basle, Henning Oppermann, , Condition: molto buono. Pubblicazione stampata in copie num. Published by Typis G. Haas : Ex officina J. Thurneisen, Basileae About this Item: Typis G. Thurneisen, Basileae, Full Leather. Condition: Very Good.
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Stultitiae Laus, Used
Do not write down your wisdom! Erasmus' commentary on Ecclesiasticus' Jesus Sirach statement "Better is the man who hides his foolishness than the man who hides his wisdom". What should one hide more carefully: valuable objects or worthless casual things? Why don't you say something? Even though you pretend stupidity, the Greek proverb answers in your place: "One puts the water jar at the door"; and one had better not disrespectfully wave this aside: it is a quotation of Aristotle, the god of our professors. Or is someone among you so foolish as to leave gold and jewels on the street? Truly not, isn't it?
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Erasmus revised and extended his work, which was originally written in the space of a week while sojourning with Sir Thomas More at More's house in Bucklersbury in the City of London. In Praise of Folly is considered one of the most notable works of the Renaissance and played an important role in the beginnings of the Protestant Reformation. In Praise of Folly starts off with a satirical learned encomium , in which Folly praises herself, after the manner of the Greek satirist Lucian , whose work Erasmus and Sir Thomas More had recently translated into Latin, a piece of virtuoso foolery; it then takes a darker tone in a series of orations, as Folly praises self-deception and madness and moves to a satirical examination of pious but superstitious abuses of Catholic doctrine and corrupt practices in parts of the Roman Catholic Church —to which Erasmus was ever faithful—and the folly of pedants. Erasmus had recently returned disappointed from Rome, where he had turned down offers of advancement in the curia , and Folly increasingly takes on Erasmus' own chastising voice.
IV-3 Ordinis quarti tomus tertius